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Matt Ramage of the TSO shows us how electronic music works and its role in an orchestra. Violetta "Vi" Vibrato meets Matt Ramage who plays electronic music for the Tallahassee Symphony Orchestra. Vi ...
Think "Folkways Records" and what springs to mind is, well, folk. Founded in 1948 by Moses Asch, the New York label was conceived primarily as an audio library of American traditional music, but it ...
These e-drum pads pack a world of percussion sounds into a small unit drummers can play either on their own or as part of a larger hybrid drum kit. By Markkus Rovito Published Jan 5, 2024 4:00 PM EST ...
An innovative producer known for warping the line between the mainstream and the experimental is making a double debut, releasing two albums in two months. By Jon Pareles In A.G. Cook’s music, nothing ...
An unassuming warehouse off Route 63 in Harleysville contains one of the world’s largest collections of vintage electronic music gear, crammed with amps, synthesizers, guitar pedals, mixing boards, ...
Performances in N.Y.C. Advertisement Supported by The composer Matthew Sheeran, brother of the pop star Ed Sheeran, discusses how he translated microtonal electronic music for a chamber orchestra. By ...
R APID CITY, S.D. (KOTA) - The seventh annual iteration of Synesthesia wrapped up at Bulldog Creek Campground in Sturgis ...
Computer Music Journal, Vol. 41, No. 3 (Fall 2017), pp. 21-35 (15 pages) This article argues that animated notations are the most exciting new direction for music notation since the conception of the ...
In the 1920s, the Russian physicist Leon Theremin debuted an electronic instrument that could be played without any physical contact. Players stood in front of a box and waved their hands over ...
Some of the guests who’ve shown up to speak to the students in King James Britt’s music course at UC San Diego look like the lineup for an all-star music festival—James Poyser, Jill Scott, Questlove, ...
In the recently released documentary Sisters with Transistors, beloved avant-garde artist Laurie Anderson poses a provocative question: “How do you exorcise the canon of classical music of misogyny?” ...
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